![]() ![]() Lyrics are transcribed as heard and are presented here under a provisional license by Universal Music, granted in 2005. The discography, news and video entries are copyright U2Songs and should not be reused in any form without permission, all images in the discography are scanned / generated by U2Songs from original sources and also should not be used without permission. The information presented within these pages is accurate to the best of our knowledge but is based upon information provided by other fans, research into individual items and several books, and U2 Songs takes no responsibility for any problems resulting from use of the material as presented within. chords ukulele cavaco keyboard tab bass drums harmonica flute Guitar Pro. This website is an informational resource for private use only and is not affiliated with U2, their management company, their record label or any related bodies. ![]() All images are copyright their respective designers. U2 - “Innocence + Experience Live in Paris” Video Release.It was performed by U2 on at AccorHotels Arena in Paris, France. The writing credits for this song are: U2 It first appeared on the "Innocence + Experience Live from Paris" Video Release - U2, in 2016. Which is not a lot except to not get caught Try to do the very best with everything I’ve got The gays and the straight to turn around the hateĪnd I feel like a fraud but I that know that I’m not It’s going to take you, me, the reds and the greens You’re part of the problem, not the solution Then the song takes us to the eerie nighttime depths of the synthesized ocean, where Bono is Poseidon and The Edge rides on the back of a giant winged dolphin, surfacing from time to time to whip up a minor guitar-driven monsoon.Like you’re really there for the powerlessĪnd he’s pulling the dollar bills out of my handĪnd I’m on the other side of a barricade to myself U2 performing Bullet The Blue Sky as part of the 30th anniversary celebrations for their album The Joshua Tree, Live On The Tonight Show Starring Jimmy Fallo. "Exit" begins with a beautiful hymnal chorus that's bordering on gospel. I think I tend to like U2's darker songs, as evidenced by my immediate affection for "Bullet the Blue Sky" and the penultimate "Exit," a strangely disjointed cut that travels through some interesting and different musical landscapes. Suddenly, I'm excited to explore the album in greater depth. These subtle touches add a new dimension to The Joshua Tree. There's the harmonica howling, a guitar twanging or imitating a banjo, and all the varied rhythmic explorations, such as those on "One Tree Hill." Going back through the album now, I'm shocked I didn't hear it before. But when "Trip Through Your Wires" comes on, I start to hear something I've been missing: a serious nod to American folk music. "Red Hill Mining Town" and "In God's Country" could be the same song. I can even hear hints of The Mars Volta.Īs the album enters its second half, I'm hoping for something that surprises me, but I'm having trouble differentiating one song from the next. You can hear Zack de la Rocha in Bono's vocals, Tom Morello in the guitar work, Tim Commerford in the bass and Brad Wilk in the drums. I don't think there's any way that Rage Against the Machine, which formed four years after this song came out, could deny that it was a direct influence. Bono begins by growling out a few verses, but his theatrics serve this type of song well. Larry Mullen starts it with that solid beat, and then the song really takes off into grungier, more dangerous territory. It's a refreshing departure from the sentimental, syrupy quality of "With or Without You," and I like the direction it's going. That said, "Bullet the Blue Sky" is a pretty sweet song. The '80s, defined by characters like Morrissey, Michael Jackson and Madonna, had different standards for what you might consider "overly dramatic." But their schmaltz seems sincere, while to me, Bono's doesn't. It's hard to put my finger on what it is about U2 that doesn't do it for me, but I'm beginning to think it's just Bono's melodramatic theatrics. ![]() As I get into the second cut, "I Still Haven't Found What I'm Looking For," an inkling of apathy starts to creep back. ![]()
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